Eldar Ryazanov was not only a great comediographer and everyday writer of Soviet life - he created his own full-fledged movie universe.
The true supporting pillars of almost every comedy of the director were the feasts, which is not surprising, given the crucial role of the kitchen, living room and restaurant not only in the social but also in the sexual life of the Soviet man.
Client → Kinopoisk
Design director → Evgeny Nikolaev
Article autor → Vasily Koretsky
Illustrator → Asya Sokolova
From left to right:
Y. Nikulin (“Grandads-Robbers”), L. Guzeyeva (“A Cruel Romance”), A. Mironov ("Unbelievable Adventures of Italians in Russia”), L. Golubkina and Y. Yakovlev (“The Hussar Ballad”), L. Filatov (“Forgotten Melody for a Flute”), E. Ryazanov, S. Karpinskaya (“The Girl without an Address”), A. Freindlich and A. Myagkov (“Office Romance”), L. Gurchenko (“Station for Two”), I. Ilyinsky (“Carnival Night”), B. Brylska (“The Irony of Fate”).
Y. Nikulin (“Grandads-Robbers”), L. Guzeyeva (“A Cruel Romance”), A. Mironov ("Unbelievable Adventures of Italians in Russia”), L. Golubkina and Y. Yakovlev (“The Hussar Ballad”), L. Filatov (“Forgotten Melody for a Flute”), E. Ryazanov, S. Karpinskaya (“The Girl without an Address”), A. Freindlich and A. Myagkov (“Office Romance”), L. Gurchenko (“Station for Two”), I. Ilyinsky (“Carnival Night”), B. Brylska (“The Irony of Fate”).
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